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Review
“Pullman’s Fairy Tales offers something unique: the chance to watch a master storyteller think through these most foundational of tales. . . . It is fascinating.” —The New York Times “You didn’t know you needed to reread Grimm. You do. This is a grand and great book. . . . I read it ravenously, rapturously.” —Gregory Maguire, author of Wicked and Making Mischief: A Maurice Sendak Appreciation “Zippy! . . . These tales are about plot and economy and speed [and] make great bedtime read-alouds for children who can handle a little gore. . . . The original tales weren’t for children, of course; they were for everyone. So is this book. . . . Pullman is both erudite and funny. . . . He has fun with dialogue, and is particularly snappy with dwarfs. . . . You know what? He crushes it, as the youth of today are wont to say. . . . His translations are perfection.” —The New York Times Book Review “It is such a pleasure to read these tales again, to experience their strangeness and richness, their violence and beauty, their sheer nonsense. . . . Reading Pullman’s version it is impossible not to hear Pullman’s own gentle voice; he is present on every page. . . . [His] interventions work brilliantly.” —The Boston Globe “These wonder tales . . . compel belief as powerfully as any adventure or thriller.” —Marina Warner, The Times Literary Supplement “Excellent . . . His beginnings are like invitations that cannot be refused. . . . Pullman shows how completely he understands the Grimms. . . . [He] pays homage to the Brothers’ pioneer work and simultaneously breathes new life into a great, venerable tradition of magical storytelling.” —Jack Zipes, Los Angeles Review of Books “A real pleasure to read . . . This is the kind of writing that stands up to years of bedtime repetition. . . . The author’s best appearances are in the notes, which are often as entertaining as the stories themselves. . . . Swiftness and clarity, he says, were his guiding principles; to which he has added wit and invention. . . . Beautiful or grotesque, the mad poetry of these tales is often delightfully funny too.” —The Economist
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About the Author
Philip Pullman’s His Dark Materials trilogy (The Golden Compass, The Subtle Knife, The Amber Spyglass) has sold more than fifteen million copies and been has published in more than forty countries. The first volume, The Golden Compass, was made into a major motion picture starring Nicole Kidman and Daniel Craig. Pullman is at work on a companion His Dark Materials novel, The Book of Dust. He lives in Oxford, England.
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Product details
Series: Penguin Classics Deluxe Edition
Paperback: 448 pages
Publisher: Penguin Classics; Deluxe, Reprint edition (October 29, 2013)
Language: English
ISBN-10: 0143107291
ISBN-13: 978-0143107293
Product Dimensions:
5.6 x 1.2 x 8.4 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
98 customer reviews
Amazon Best Sellers Rank:
#222,399 in Books (See Top 100 in Books)
The Economist (1-year auto-renewal) recommended Philip Pullman's new anthology of Grimm's fairytales among their annual review of books. I was not disappointed. Many of the stories will be familiar to readers either through Disney adaptations (Cinderella,Snow White) or from other collections or adaptations / variations of the folk stories collected by the Grimm brothers (Folktales of England (Folktales of the World),Russian Fairy Tales (Pantheon Fairy Tale and Folklore Library).Here, Pullman has 50 stories adopted from Grimm's Fairy Tales: Complete and Illustrated (Over 200 Fairy Tales, with Illustrations, and Bonus Features), some clarified, all with a brief annotation on their origins and variations. What pleased and suprised me most were the variety and number of stories I had never heard before: "The Boy Who Left Home to Find Out About the Shivers" (also known as 'The Man Who Did Not Know Fear' or 'The Dead Man's Arm'), "Godfather Death" ('The Land Where No One Ever Dies') and "Iron Hans" ('Three-For-A-Pot', 'Prince Ivan and Princess Martha') were among my favorites. Aside from the tales themselves - which were like revisiting an old friend - the annotation was particularly interesting, Pullman often discussing the morality tales they represent (as with "Little Red Riding Hood") and the variations between strories.As an intellecutal exercise, the book would have benefitted from greater attention to these variations in storytelling and longer exposition on the morality tales within them. (If this is of interest, I strongly recommend Maria Tartar's Off with Their Heads! Fairy Tales and the Culture of Childhood.) As a collection of children's stories, I would have expected some illustrations to accompany the tales, the better to hold and keep the interest of a child to whom the stories are being read to or read by. Nonetheless, it is a wonderful collection of fairytales, with a suprising number of stories that readers may be unfamiliar with and which are a lot of fun to read.
Terrific re-tellings of the stories. These aren't translations, strictly speaking. The language is modernized, and current idiom pops up everywhere. Under less skilled direction this might mar the stories, but not here. Everything is nicely judged. Great version of the Grimm stuff, though of course only a small selection. You know, I suppose, that most of this material isn't suitable for children--not modern children, anyhow. This isn’t exactly Tinkerbell and her Fairy Friends. There's some serious brutality, and from story to story a repeated fixation on cannibalism. You get the feeling children were so poor they really did think their parents might eat them. Just imagine you're very small, and are sitting at the dinner table, and there really is almost nothing for dinner. Your parents are very unhappy . . . and then they look at you . . . they look at you funny. Nowadays your parents only eat you emotionally. Let's see, which is worse?
First of all, Pullman! Then Grimm! How awesome is that combination? I thoroughly enjoyed Pullman's commentary at the end of each tale...his notes about the origin of the tale, and his own opinion...I especially loved his line about Jungian twaddle! He loves these tales...and accepts them for what they are.He's retold, reconstructed, 53 tales, as neatly and simply as he can. He keeps the original pacing, the characters. The spare plot details.Four new (to me) tales are my favorites:"The Riddle," echoed by TURANDOT, "The Juniper Tree," in PUllman's words: "For beauty, for horror, for perfection of fomr, this story has no equal. "The Two Travelling Companions" gives us a picture of good and evil in a new way. "The Goose Girl at the Spring" with flashes of KING LEAR.Pullman's respect for the tales brings this whole thing to life. Loved reading old favorite and new favorites
I'm familiar with most of these stories already - I think I was hoping for stories that were new to me. I was also hoping for some more historical detail and analysis, but what Pullman has added is all quite good, and there were things I didn't know, so it was worth the price. Also, the stories really aren't as horrible as a lot of the garbage kids read nowadays, so don't be afraid to let your 5th grader read them.
Not all that different from the familiar translations. Pullman’s brief, insightful commentaries on each story enrich the tales with historical & literary context.
In some form or another you know a small portion of the fairy tales from the Brothers Grimm. Or you think you do. Maybe you've seen the Disney versions of Snow White, Cinderella, and Sleeping Beauty. Beautiful, but sanitized. Or maybe you grew up in the 80s/90s and remember the Brothers Grimm cartoons that showed up on Nickelodean. Seriously, it was kind of cool. And maybe you know about Rapunzel, Hansel & Gretel and a couple others. But all that is only the tip of the iceberg.In this excellent collection, fifty tales are presented to you. You'll find the usual - princesses in distress, wicked witches, and handsome princes. But you'll also encounter enchanted fishes that grant you wishes, bewitched frogs, a mouse, bird and sausage who set up house, trees that grant wishes, demons who makes deals, evil kings, beautiful queens, dancing shoes, evil mermaids who kidnap men, and worlds of enchantment. At the end of each tale is a little bit of analysis by Pullman as well as a comparison of how the story fits into the world it was created and how it compares to other fairy tales.I'm a fan of fairy tales. Both on the merits of the story and on what they can reveal about the society they describe. And Pullman does a great job of retelling the classics we think we know and introducing us to a number of stories that should be classics; I'm looking at you The Fisherman and His Wife. So yes, do read this if you're interested in the subject.
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